Verityfair 1.4 by Terry Wiley is a Girly webcomic original.
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A few weeks ago we went for a lovely trip to Newcastle and stayed with Terry Wiley, creator of Verityfair.
This turned into a comics themed trip as we visited friends, were interviewed by the North East Geek feast about Caption, met creators from the Paperjam crowd and popped into the local comics shops.
We also had a Bryan Talbot themed day, by visiting some of the landmarks that appear in his graphic novel Alive in Sunderland.
We were very keen to see the St Peters Riverside Sculpture project, as not only does it feature in Alice, but it’s also connected to novelist Chaz Brenchley, whom we’ve met at various British Fantasy Society events. In fact Bryan and Chaz are very good friends and Chaz also appears in Alice showing Bryan around the sculptures.
A page from Alice in Sunderland featuring Bryan, Chaz & the sculpture trail.
We didn’t manage the whole trail as it’s around three miles long, but saw some lovely sculptures, while being slightly crisped by unexpected sun (it rained while we were in South Shields the day before).
‘Taking Flight’ features steel girders transforming in stages into a cormorant in flight, and which Bryan describes in Alice in Sunderland as 3D comic strip. A delightful installation.
By far our favourite sculpture of the ones we saw was ‘The Red House’ by Colin Wilbourn, which was created from reclaimed stone from the Queen Alexandria Bridge in Sunderland. The sculpted furniture is wonderfully realistic and there are evocative touches like the coat hanging by the door.
It also inspired a short story by Chaz Brenchely called ‘Murder at the Red House and which you can read or listen to at Chaz’s site.
After a rest and an ice-cream by the sea, we headed off to Penshaw Monument. This strange folly designed like a greek temple can be seen from miles around but proved a little torturous to get to! Once there we battled up the steep hill to clamber over the monument and discover it was built in Victorian times by the Freemasons. Unsurprisingly, it also features in Alice in Sunderland.
The day was topped off by a lovely Indian meal and visit with Bryan and his wife Mary, who live in a beautifully decorated four storey Victorian terrace. We got to see Bryan’s collection of sketches by comic artist greats, such as Carl Barks. Then we got a tour of his studio, and a sneek peek at pages of Grandville Mon Amour. As expected form Bryan’s work the pages were highly detailed and atmospheric, not to mention somewhat violent in places! The sheer amount of research Bryan’s puts in is amazing, especially the scenes he showed us in a Victorian factory setting based on a nearby pumping station. Can’t wait to read it when it comes out later in the year.
Looking forward to seeing Bryan again at Fantasycon in Nottingham in September.
More photos from our trip and of the sculpture trail over on Flickr.
The Happy Prince: Oscar Wilde’s Fairy Tale
TpCat
sepia tone, 32pp
Reviewed by Selina Lock
Having read the original short story by Wilde after reading this comic adaptation, it seems to be a fairly faithful adaptation, apart from making all the characters anthropomorphic. The use of cute animals makes the tale even more poignant, and contrasts well with the reality of the poverty being portrayed. For those unfamiliar with the story, it revolves around a statue of The Happy Prince, who really weeps to see the suffering of those around him, and enlists the help of a swallow to spread a little joy and salvation.
The main reason I picked up the book was the gorgeous artwork. TpCat excels at adorable animals, using a sepia pencil technique that adds to the softness of the creatures. She also adds interesting touches to the comic, such as comments by background characters about wanting an iPhone, and an amusing guide to rodents at the back of the book. Overall, a lovely, fun and moving adaptation.
This review originally appeared in Prism; the newsletter of the British Fantasy Society.